|
|
|
Stillleben mit apfeln, Weinglas und Zinnkrug ID de tableau:: 93564
Voir la galerie dans Suède
|
Stillleben mit apfeln, Weinglas und Zinnkrug circa 1876(1876)
Medium oil on canvas
Dimensions 69.2 x 92 cm (27.2 x 36.2 in)
cjr circa_1876(1876)
_
Medium_oil_on_canvas
_
Dimensions_69.2_x_92_cm_(27.2_x_36.2_in)
_
cjr
|
|
|
|
|
|
|
|
Hauser in Ferch ID de tableau:: 93567
Voir la galerie dans Suède
|
Hauser in Ferch between 1878(1878) and 1881(1881)
Medium oil on canvas
Dimensions 70 x 84 cm (27.6 x 33.1 in)
cjr between_1878(1878)_and_1881(1881)
_
Medium_oil_on_canvas
_
Dimensions_70_x_84_cm_(27.6_x_33.1_in)
_
cjr
|
|
|
|
|
|
|
|
Sagegrube ID de tableau:: 93708
Voir la galerie dans Suède
|
Sagegrube circa 1878(1878)
Medium oil on canvas
Dimensions 56.5 x 44.5 cm (22.2 x 17.5 in)
cjr circa_1878(1878)
_
Medium_oil_on_canvas
_
Dimensions_56.5_x_44.5_cm_(22.2_x_17.5_in)
_
cjr
|
|
|
|
|
|
|
|
Wooded landscape ID de tableau:: 94057
Voir la galerie dans Suède
|
Wooded landscape Date 1868(1868)
Medium oil on canvas mounted on cardboard
Dimensions 53 x 39.7 cm (20.9 x 15.6 in)
TTD Date_1868(1868)
_
Medium_oil_on_canvas_mounted_on_cardboard
_
Dimensions_53_x_39.7_cm_(20.9_x_15.6_in)
_
TTD
|
|
|
|
|
|
|
|
Gladiolen und Apfelsinen ID de tableau:: 96818
Voir la galerie dans Suède
|
Gladiolen und Apfelsinen oil on canvas
Dimensions 80 X 62.5 cm
cyf oil_on_canvas_
Dimensions_80_X_62.5_cm_
cyf
|
|
|
|
|
|
|
| Artiste précédent Artiste prochain
|
|
Carl Schuch
|
(30 September 1846 - 13 September 1903) was an Austrian painter, born in Vienna, who spent most of his lifetime outside Austria, in Germany, Italy and France. He painted primarily still lifes and landscapes.
During the period 1882-94 he was based in Paris, where he was greatly impressed by the work of Claude Monet whom he described as "the Rembrandt of plein-air painting" although he was attracted most of all to Rembrandt and the artists of the Barbizon school. In 1884 and 1885 he spent the summer months in the Netherlands, studying the Dutch old masters as well as the contemporary painters of the Hague School, and filling notebooks with detailed descriptions of the colors he observed in paintings that he admired. Of all the artists belonging to the circle around Wilhelm Leibl (called the Leibl-Kreis), Schuch was the most devoted to color. His work marks the transition from the realist tradition to the modern movement in Vienna, esthetically, however, it is far from contemporary trends, and from its means and ends, comparable to Paul Cezanne (Gottfried Boehm, referring to Arnold Gehlen). |
|